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Culture

Santa Claus

December 23, 2022 by Rashid

My name is Rashid Darden and I like nostalgia.

I’ve had a rough past couple of weeks. Depending on how you look at life, one could say it’s been a rough past couple of years. But this post is not about that. It’s about how a little nostalgia and a commercial flop of a movie made me have a better day.

[Read more…] about Santa Claus

Filed Under: Culture, Reviews Tagged With: 80s, rashidipedia, Santa Claus

Don’t Forget to Protect LaDarius

February 22, 2020 by Rashid

A few weeks ago, I finished episode six of Cheer on Netflix. It was, quite possibly, the best documentary series I’ve ever seen. Certainly, it’s the best one on Netflix.

As I posted on social media over the week-and-a-half that I was watching it, friends posted about Jerry being their favorite, how Jerry was the best ever, and how we need to “protect Jerry at all costs.”

[Read more…] about Don’t Forget to Protect LaDarius

Filed Under: Culture, Diary, Television

What About Love

December 20, 2019 by Rashid

I love this!

[Read more…] about What About Love

Filed Under: Culture, Diary

“Dark Nation” and Trauma

September 16, 2019 by Rashid

Birth of a Dark Nation is the story of how African vampires came to America during the transatlantic slave trade.

That’s my elevator pitch for my first piece of speculative fiction. It is the first in a series and I’m working on the follow-up here in Conway, North Carolina.

Those of you who have read Birth of a Dark Nation know that it’s about a whole lot more than just how vampires hitched a ride to North America on a slave ship. My purpose was to ask a question:

How would the collective trauma of the middle passage, human bondage, reconstruction, and Jim Crow laws impact black people who lived through it all? We know the collective toll these atrocities take on contemporary black folks, but what if it was possible to witness it all?

I hope that Birth of a Dark Nation at least begins to address those answers. It’s speculative, of course, and not in any way definitive, but it’s interesting to think about how this collection of youthful black men would see America over time, only to continually be the target of state sanctioned violence against their bodies.

My follow-up, as yet untitled, also deals with trauma, but not so much the inter-generational kind.

One of my favorite novels is Push by Sapphire. I also happened to immensely enjoy its follow-up, The Kid, even though it was a challenge to read due to its subject matter. Having read both of those novels and then become a teacher of opportunity youth, I am here to tell you that the violence inflicted upon Precious in her life, and Abdul in his, is not an exaggeration.

Trauma is very real in our neediest students. Dead and absent parents, disease, incarceration, mental illness–all these are things students have experienced, either first-hand or second-hand, and work in tandem to prevent their success at diploma attainment and/or job attainment.

What happens, then, when we speak of the supernatural, to students with all this trauma who then experience magic or vampires or ghosts?

What would have happened to Justin Kena in Birth of a Dark Nation had he been poor or homeless instead of a middle class college graduate?

Rather than focusing solely on a particular supernatural plot, I want to investigate, through this new book, what happens when an unconventional person or group of people experiences horror and the supernatural.

It has been really fun to write so far, but I’m also writing myself into some secondary (or even tertiary) trauma.

For example, what if I decide to create a character named Mary Jane who is a survivor of familial sexual abuse. It’s already a “deep” topic to write about, but then I think of students who this has happened to, and I am impacted even further. I pressure myself to get the story right, and to ensure that it is told with authenticity as well as sophistication and respect.

Writing about people who may have been sexually assaulted also reminds me of the time a man tried to assault me. I think of how I dealt with it, how I didn’t deal with it, and how my character should deal with it. I struggle with making them the “perfect” survivor, as a way to inform readers how they can deal with the same trauma, or making them an imperfect survivor, because it makes for a more interesting story.

I always err on the side of the best possible story, but I also make sure to tell that story responsibly. And I take care of myself while writing–stopping for mental health breaks if I need it.

As of this moment, I have written over 71,000 words, which translates to over 275 pages, if the current formatting holds. I’d like to be done with a first draft in October and then begin edits and rewrites.

I’m learning to be proud of my writing and to trust in the story itself. And I’m grateful that I have reached a level of experience and maturity where I can tell another story of trauma without patronizing my readers.

I think this is going to be a good one, folks. A really good one. Keep me in your prayers!

Filed Under: Culture, Diary, Writing

A Quaker Welcome

April 1, 2019 by Rashid

Quakers (or Friends) are members of a historically Christian group of religious movements formally known as the Religious Society of Friends… Members of the various Quaker movements are all generally united in a belief in the ability of each human being to experientially access “the light within”, or “that of God in every one”.

https://en.wikipedia.org/wiki/Quakers

For about a decade, I have identified as a Quaker. Somehow, I fell down a Google rabbit hole, found Quaker websites, and said “Yep, that’s who I am.” Then I read the books. Then I subscribed to the magazine. Then I started attending meetings. In late 2017, I joined Friends Meeting of Washington and I’ve been a member ever since.

Today, it became official official. They had a welcome activity for the nine of us who joined in the past few years. To be honest, I wasn’t really into the idea of celebrating what, to me, was a personal and spiritual decision to join this religious path. I’m already active on a committee (Peace and Social Concerns) and I’m slowly, but surely making friends.

Even though I’ve been part of the meeting for over a year, as a member, and a year or so before that as an attender, it was still important for me to step back and be acknowledged. What’s so wrong with making a concrete decision about your soul and then celebrating it with others in the community?

Nothing at all.

So I surrendered. I handed over my desire to be modest. I stopped being shy about good things that happen to me and I let my faith community to take time to welcome me and the others. Even if it was delayed–it was the thought that counted.

We had cake. We got roses. We got our “official” name tags and we even got our photos taken for the board in the hallway. And most importantly, we got introduced by members of the membership committee, who had recommended each of us.

I joked with other new member that we were part of the same pledge class now.

I talk about being a Quaker openly, but in many ways, I am starting out from scratch in my faith walk. I was raised Baptist, almost became Muslim, and then found my way to the Quakers. It’s a totally different, largely unstructured faith that still has lots of traditions that I am learning.

Perhaps most importantly is that, after years of distance from more formal religion, I am learning that community is always the most important part of the journey.

So thank you, Friends Meeting of Washington, for being the dope ass “church” that I always needed.

Note: The photo is of Paul Cuffe, a famous black Quaker that I just learned about five minutes ago.

Paul Cuffe

Filed Under: Culture, Diary, Faith Tagged With: Quaker

Performative Wokeness

December 6, 2018 by Rashid

December 6, 2018: Breaths shallow, teeth clenched, mouth curled into a sneer: I am livid.

My school is slowly adopting restorative practices to improve our connection to one another and to our students.  My organization, The Apollonians, has also adopted restorative practices as a cornerstone principle.  We wanted to be part of a group that recognized good ways to deal with inevitable conflict.

So when I discovered there was a new independent film out about restorative practices and the life of one of its practitioners–a black man–I felt I needed to see and support this film.  A screening was hosted at my alma mater and I went immediately after work.  I wanted to go home, but my colleague said “Darden, one day you will legitimately be too old to feel like doing anything after work.  You know you want to see it, so just go.”

I did.

It was okay.

Here’s what made me livid:

After the screening, we were invited to stay for a question and answer session with the main subject of the film and the filmmaker, a white man.  After a promising start, in which the subject explained how he came to grant the white filmmaker access to these black lives, I decided to ask my question.  I explained that I was a teacher at a local alternative school who has accepted the challenge of bringing restorative practices to our community.  I said that, presuming his school was like mine, then there would be a significant number of students with IEPs.  How does he, or how does one have a restorative circle when the student has needs that fall outside of the typical realm?

Almost immediately, I knew I had not been heard.  Maybe I misspoke.  Maybe I wasn’t clear in what I was conveying.

This fellow practitioner–my black brother–begins a screed about relationships, and how when we label students we separate them from us.  And he starts bringing up all these examples that simply didn’t apply to my school.  Meanwhile, the audience is grunting these affirmations as though what he’s saying is the gospel and it’s Sunday morning.

I remember being very confused, and he’s speaking directly to me as though I am supposed to affirm what he’s saying about relationships.  I turned to the audience and said “I don’t know where you people work, but my school isn’t like this.”

And it truly isn’t.  I can safely say that the Washington area is full of great so-called “alternative” schools where the faculties are guided by a strong sense of justice and radical love.  I really do believe that–even at the schools which may have closed.  I would confidently send my opportunity youth to most of the opportunity schools here.

The ‘brother’ continues going on about labeling students.  He then–I bullshit you not–uses a white woman as a prop to make a point about assumptions.

By now I am totally aggravated.  I was not in any way saying to this man “HEY BOB WE GOT INTELLECTUALLY DELAYED SUPERTHUGS THAT CANT BE IN A CIRCLE”  I felt, by this point, I was saying “I need strategies for differentiation.”

But as I looked at him while he reveled in the chorus of Amens and Yaaaaases, I realized a simple truth:

He ain’t one of us.

My friend Joseph just this week shared with his communities that he was tired of this idea of “wokeness” and that it just comes across as performative anyway.  In this moment where the subject of this documentary looked past me, literally and figuratively, in order to make a point to a largely white audience, I realized that this was his shtick.  This was his zhoozh.  This was his routine.

I wasn’t sold.  Moreover, I was offended.

As an educator, I asked a direct question that he either failed to understand or chose to ignore.  And rather than make the connection, he made assumptions and then spoke to a whole different audience.

The woman sitting behind me was particularly Ameny.  As the subject wound down his entry-level commentary to his well-meaning crowd, I had already decided that I would leave.  I stay in no space that isn’t my people.

I hissed at the amen corner “I was only asking about differentiation.”  She tried to respond to me, but I was already picking up my pea coat and book bag and went for the exit.

I headed down the ramp outside of the auditorium and was almost at the exit turnstiles of the lobby when a white woman came out of the auditorium to speak to me.

Here we go, I thought.

I presumed she was some sort of producer, agent, or manager, judging by the way she spoke.

“I just want to check in,” she said.   I wanted to tell her “That restorative shit don’t work on me, lady,” but I didn’t.

I said that the subject had made an example of me, didn’t respond to my question, and didn’t see me.

She explained that the subject uses various questions as launch pads for various talking points he likes to make while on his tour.  And since my question was so specific, he just took the opportunity to make it relatable to everyone in the audience.  And if I decided to stay until the end of the Q&A, she’s sure the subject would address my question more directly.

I told her that if she was so moved to relay any messages to the subject, to let him know that I am a black man just like him, not a well-meaning white person.  That I saw my life in his documentary, and that connection ought to have been enough.

I don’t know if she will tell him anything of the sort.  I don’t care a whole lot because the damage has been done: a fellow black man treated me as though I didn’t know what I was talking about in a room full of people who agreed with him, yet they didn’t know me or my story.

But I knew his, and I know he wasn’t one of us.

Who is us?

The people who do it because it’s right, because it’s us, and because we’re here.

I’m talking about whatever it is:  justice work, equity work, community service, philanthropy.

I’m talking about my friend who donated a baby stroller to one of my students last year, just because I was asked, and just because I asked her.  My same friend who is the mother of #WhitePrivilegeWednesday.

I’m talking about my friend, the preacher, who travels into the worst of the worst communities and serves these youth to help them turn their lives around.  Yes, he is a Christian, but he is one of the few who has told me himself that he will serve all youth, gay or straight, cis or trans.

I’m talking about my coworkers, past or present, who could easily be making six figure salaries elsewhere, but choose this work because it’s right, it’s us, and we’re here.

Not because service makes them feel good.

Not because they feel guilty about their privilege.

There will always be those for whom wokeness is a performance.  Sometimes, that wokeness performs as a white Kappa with an average shimmy, publishing papers in black spaces.  And sometimes that wokeness performs as not seeing your brother as your brother, but instead using him as a point to make in front of a white gaze.

And then for a white woman to come “check in.”  T’uh!

I was livid.  Now I’m good.  My people are still my people and the work is still the work.

The beat goes on.

Filed Under: Culture, Diary, Education Tagged With: restorative justice, restorative practices

Giving

December 2, 2018 by Rashid

Friday, November 30, 2018

I am looking out of the window at three o’clock in the afternoon after five straight days of teaching.  It’s been a long week–not exceptionally taxing, but long nonetheless.  My door is propped open, to air out the faint, but constantly lingering aroma of marijuana, now trapped in my student’s coats in the cold weather.  There is no cloak room in my class, nor is there one on the corners and in the alleys where they smoke, so the stale stench follows them like a stray cat.

I hear my colleague say from the hallway, in her thick Cuban accent that reminds me of Pedro Zamora, “No, don’t thank me.  Mr. Darden facilitated this.”

[Read more…] about Giving

Filed Under: Culture, Diary, Education, Fraternalism

You’ve been to Wakanda. Now welcome to Dardenland.

February 18, 2018 by Rashid

Well, hello there!

My name is Rashid Darden.  You might know me from this video from Channel 4:

 

If this is your first time visiting my page, or your first time in a while, welcome!  This site has had several incarnations over the years.  It is primarily an introduction to my life as a novelist.  I love writing.  Although I was a creative person at a young age, it was the encouragement of the late, great poet Elaine Magarrell through the Scholars in the Schools program in DC, that really made me believe I could be a writer as a profession.  Through guest presenters like her, teachers like Sarah Clark, and a loving, supportive mother, I knew that I had within me all that I needed to change this world.

I am unapologetically black, unapologetically gay, and active in my community through several organizations.

I am quite particular about how I wish to be contacted.  If you’re a reader or a fan of my commentary, please reach out through your favorite social media outlets, which are listed on my contact page.  That page also lists how to book me for a speaking engagement.

If you have my email address, that’s a poor way to reach me.  If you have my number, that’s a poor way to reach me.  Social media is truly the best way.

If you have a very strong opinion about something I’ve written, something I’ve said, the way I shake my head when speaking, or the way I don’t pick out my afro, please leave those comments on social media or post them on your own pages.  I can assure you that your private contact won’t change me unless it comes accompanied by a life-altering cashier’s check.

At the end of the day, we all out here just trying to make it.  I appreciate your support and I welcome you read my past blog entries and to even purchase some of my books.  And if you do, please leave a review!

Filed Under: Culture, Diary

The Lazarus Playlist

January 22, 2018 by Rashid

As I write my novels, I tend to make a playlist that helps me get in the mood, set the scene, and channel my characters.  This playlist is inspired by the flow and scenes of my first novel, Lazarus. [Read more…] about The Lazarus Playlist

Filed Under: Culture, Diary, Writing Tagged With: Lazarus, playlist

Article 2, Section 1, Clause 5

January 10, 2018 by Rashid

No Person except a natural born Citizen, or a Citizen of the United States, at the time of the Adoption of this Constitution, shall be eligible to the Office of President; neither shall any person be eligible to that Office who shall not have attained to the Age of thirty five Years, and been fourteen Years a Resident within the United States.

[Read more…] about Article 2, Section 1, Clause 5

Filed Under: Culture, Diary

New Site, Who Dis?

December 28, 2017 by Rashid

A lot happened this year! [Read more…] about New Site, Who Dis?

Filed Under: Culture, Diary, Travel, Writing

Butterflies

December 10, 2017 by Rashid

Last year, Keegan-Michael Key was interviewed in Playboy by Eric Spitznagel.  (I am just now getting to the article–my stack of magazines I need to catch up on is nuts.)  Check out this passage:

You've said that you and [Jordan] Peele "fell in comedy love." How is that different from actual love?

Key:  It's not different at all.  I get the same butterflies in my stomach.  I saw him the other day...and I was like, wow, he's amazing.

Wow.

That’s how I feel like a good number of people in my life, from the indomitable civil rights expert Jordyne Blaise to my brilliant cover designer Neil Wade to one of my favorite fraternity brothers Jonathan White.

It’s how I feel about my Coolidge friends and my Georgetown friends and my close coworkers and my good neighbors.

I’m really lucky to know who I know, and I am thankful for them.

Filed Under: Culture, Diary, Fraternalism

We Were a Nielsen Family

October 4, 2017 by Rashid

Note:  This essay was mostly written on September 17, 2015.  It is being posted today because Nielsen prefers its families to refrain from publicly discussing the experience for at least one year after participation.  I have a little character, so I decided this could wait.  Also, I forgot. [Read more…] about We Were a Nielsen Family

Filed Under: Culture, Diary

The Spot Where Truth Echoes

August 21, 2017 by Rashid

If I could find the spot where truth echoes
I would stand there and whisper memories of my children’s future
I would let their future dwell in my past
So that I might live a brighter now
Now is the essence of my domain and it contains
All that was and will be
And I am as I was and will be because I am and always will be
That nigga…

From “Sha-Clack-Clack” by Saul Williams

Last night, I went down a YouTube rabbit hole of 1960’s era videos from gospel legend Clara Ward and her singers.  I was not sure what led me there again but I love old school gospel in any case.  I found it interesting how the Ward singers had “praise breaks” before it was common to see them in live gospel performances.  Their footwork is reminiscent of most praise breaks I see these days, nearly 50 years later.

That was last night.  Today I was able to put into words the manifestation of my vocation as a teaching writer.

Dr. Bettina Love from the University of Georgia and Get Free Hip-Hop Civics came to my job to present a professional learning experience to us.  We’re the founding staff of a public charter school opening in two weeks in Washington, DC.  The topic was how to use hip-hop as a tool for teaching civic education, among many other things.

First and foremost, hire Dr. Love immediately. She’s a teacher’s teacher and a phenomenal speaker.  Her presentation is truly multidisciplinary.

Something had been on my mind for a few weeks–mainly an article I read about how rappers can relax their executive function in order to freestyle.  This study, from 2012, has similar results to jazz musicians who are able to improvise.

You have to “zone out” a bit in order to freestyle.  You have to reach a kind of zen state in order to improvise.

The article was not new, but it had been sticking with me for a while.

Dr. Love spoke about how some things are just in the DNA of our people.  She showed images from a lot of sources, mainly of people who were in the throes of disassociating from their executive function, or those for whom executive function had not yet fully developed, such as a two year old freestyle rapping gibberish, yet keeping perfect time.

It all came together.

This:

Battle rap/freestyle

Is not different from this:

Woman shouting

Which is not different from this:

Trombone Shorty

Or this:

Breakdancer

Or this!

Willi Ninja

Or even writing.

I very rarely tell this story publicly:  When I wrote Epiphany, there was a scene in me that I hadn’t written, but knew I needed to write.  It was tough.  Painful. Adrian was walking away from Isaiah, and Isaiah knew there would be a good chance he’d never come back to him.

I didn’t write that scene.  That scene was delivered to me.  Those characters used me and I spoke those words that I would later write out.  I yelled.  I cried.  And finally those characters had spoken, satisfied that I was the one chosen to tell their story.

I went into the zone to retreive that story, and then I wrote it.

There were other times when writing–and even when teaching–that everything around me turned surreal, or perhaps hyperreal, and I just went for it.  I was in my body, but I didn’t know where the words were coming from.  And the next thing I knew, there they were.  These chapters.  These theories I posited to my students.  These words.

So if I can briefly go into this fugue state in order to write or teach, and rappers can zone out while free-styling, then certainly I can and must find a way to ensure that when the truth echoes, my students are there to receive it.  I can and I must figure out how, on a metaphysical level, to go to that place where my students can learn without the trauma or lingering pain of those teachers who have tried and failed.

I ache for my students.  They have been failed for decades, victims of experiment after educational experiment, while their former teachers move on after a handful of years to become attorneys, consultants, or wives.  My students could not learn from those who do not whisper memories of their futures. I may spend the rest of my life looking for that metaphysical place where authentic learning happens, but I know that it’s there and I know that finding it is what I’m supposed to do.

I have never felt closer to God than in this moment.  I have mentioned that being a Quaker has allowed me to sit in stillness and wait expectantly for God’s message to me.  I suppose I foolishly presumed that the message would be delivered on Sunday at Meeting for Worship.

Here I am, God.  Use me.  Help me find the spot where truth echoes so that these students can live in a constant state of discovery and a-ha moments.  May they be overwhelmed with and even frightened by their own brilliance, but may those fears be cast aside in favor of confidence and self-awareness.

Let them actualize.  Let them Be.  Let them say “I AM ________,” with whatever they want to fill in the blanks, and mean it.  Let them also say “I AM” and let that be enough.

I am a writer.

I am a teacher.

I am ready to live that life, once and for all.

I need more time
I need more time
But it’s too late
They start shooting at children and killing them!
One by one, two by two, three by three, four by four
Five by five, six by six, but
My spirit is growing seven by seven
Faster than the speed of light…

Filed Under: Culture, Diary, Education

Protect Our Boys

August 12, 2017 by Rashid

This week, Matt Sledge reported in the New Orleans Advocate that former police officer and Phi Beta Sigma member Marcellus White has been charged with five counts of sexual battery on a victim under age 13.  Two civil lawsuits also claim that White used his role as a karate instructor and mentor through his fraternity to have access to his alleged victims.   [Read more…] about Protect Our Boys

Filed Under: Culture, Diary, Fraternalism Tagged With: alpha phi alpha, iota phi theta, kappa alpha psi, omega psi phi, phi beta sigma

Moonage Daydream

August 3, 2017 by Rashid

David Bowie’s “Moonage Daydream” is one of my favorite Bowie songs from the Ziggy Stardust years. [Read more…] about Moonage Daydream

Filed Under: Culture, David Bowie, Diary Tagged With: DavidBowieSyllabus

Detroit: Don’t Do It To Yourself

July 29, 2017 by Rashid

Today I saw a film called Detroit. There is a great review of the movie by Angelica Jade Bastien that you should read.

As a black person just one generation away from the events of this film, I felt disturbed. Although the review above explains why, I also want you to hear it directly from my “voice.”

Black people are no strangers to trauma. Historical films about the black experience will inevitably contain scenes that could be triggering to black people. Most of my favorite films do, from The Color Purple to The Birth of a Nation.

But Detroit is different. The violence in other films, whether made by black filmmakers or by white filmmakers, is either graphic to prove a point previously unproven, or is restrained in order to not fetishize the violence.

Detroit makes the violence into a kind of pornography. It is not transformative, artistically or emotionally.

Why do we need this film when we are already living a Trayvon Martin reality fifty years later?

Black people do not need to see this film.

White people only need to see this film if they’ve been asleep for the last fifty years.  But when you do see it, don’t be fooled by the ill-placed “See, there are good white people” tropes.

One thing I will say, though: this is an all-star cast of some of the best young black performers of our generation.  Special shout outs to Ephraim Sykes, Malcolm David Kelley, Tyler James Williams, Samira Wiley, and Gbenga Akinnagbe, among many others.  Their performances are outstanding and I am at least glad that some black people got paid.

But otherwise, this movie was a big trigger for the woke.  Skip it.

 

Filed Under: Culture, Diary, Reviews

The Button

June 24, 2017 by Rashid

It’s my birthday weekend!

After a few back to back years of fairly big celebrations, I am taking the weekend to just relax.  It has been a pretty rough first half of 2017–shockingly rough, I’d say–but my exits have turned to entrances [to paraphrase my new job’s slogan]. [Read more…] about The Button

Filed Under: Culture, Diary, London, Travel, Writing

Well that escalated quickly.

April 7, 2017 by Rashid

[Read more…] about Well that escalated quickly.

Filed Under: Culture, Diary, London

Purple Moonlight

March 5, 2017 by Rashid

If you are still obsessed with Moonlight like I am, then this is the soundtrack you’ve been waiting for.

See also: The Chopstars’ Purple Moonlight Mixtape Is Utterly Brilliant.

Filed Under: Culture, Diary Tagged With: Moonlight

What About Love? A Terrible Essay About Moonlight

October 29, 2016 by Rashid

Every time I’ve seen Moonlight, I’ve called–or struggled to call–the first great love of my life.  I want to tell him to watch it.  I guess I’ve already told him in some way.  We’re friends.  We’re collaborators.  I love him.  I resent him.  I hate him.  I forgive him.  I forget him.

I see Moonlight and I remember.

This film will be an emotional roller coaster for anyone who was once a gay black boy.  Your mileage may vary.

I have been asking my straight male friends to go see this film as soon as possible.  I have seen it twice now.  I want them to know.

I write the love that I want to see.  I write the love that I want to have.  I write the love I thought I had sixteen years ago.

I am 37.  I know what I am doing with every facet of my life except this.

The human brain is not fully developed until at least age 25, and I believe that.  I want so desperately to believe that the love I fell in sixteen years ago could be that impulsive, basketball and pledge boots love that became Adrian and Isaiah from my novels, that could have grown into the Barack and Michelle of the black gays.  I want to believe, also, that the bloody, transformative love between Justin and Dante in my last novel, could have been based in that kernel of love I once felt.

And the poems that I look back on.  I am ashamed.  I am embarrassed.  The lack of development in my brain is evident in the simple verse and histrionics, but what can you tell a 21-year old who’d had his first taste?

Moonlight wrecked me.  The actors, superb in any way, portrayed the kind of romance that I want:

Innocent love.

Forgiving love.

Redemptive love.

No one looks at me.  That’s what this feels like.

Ashton Sanders (Chiron) was my favorite actor.  Walk with me… he gave the kind of performance that Cynthia Erivo gave as Celie in Broadway’s The Color Purple revival.  With his body, he became Chiron.  Every walk, every tear, every mumble.  I believed him as I believed her, every toe point and frown.

What about love?

I believe Moonlight to be a love story, more than it is a story about mass incarceration, drug addiction, bullying, or homophobia–yet it is all of those things, too.  It has to be.

What about tears when you’re happy?

I’ve seen Moonlight twice now.  The second time, I saw how the actors looked at each other and I believed them and I wanted to be looked at that way.

Last week, I thought someone looked at me like that.

And I thought that perhaps not even he ever looked at me like that.

But I don’t think it was anything, really.  I think it was just a moment that I wanted to see, that somehow my hand pushed the planchette to the answer I wanted to see at that moment.

I write these moments.  I watch these moments.  Thank you, Barry Jenkins.  Thank you, Tarell McCraney.

But I do not live these moments and I don’t know that I can.

Posted without revisions and with all due anxiety.

Filed Under: Culture, Diary, Reviews Tagged With: Moonlight, The Color Purple, What About Love

Will I Still Be Apologizing When I’m 50?

August 16, 2016 by Rashid

Note:  I began writing this essay literally a year ago, and for various reasons left it in draft form.  I am now revisiting it in light of Nate Parker’s past coming to light.  New comments will be in italics. [Read more…] about Will I Still Be Apologizing When I’m 50?

Filed Under: Culture, Diary

Ch-ch-ch-ch-changes

April 29, 2016 by Rashid

Here am I with my friend Zoila who I hadn’t seen in years!

What a roller coaster the past few weeks have been!

For those of you who have been wondering, I have seen a few more films, namely The Boss (there were black people in it) and Eye in the Sky (there were black people in it and it was really good).  Although I enjoyed both films, I really just didn’t feel like writing about either of them.  I’ve also gotten a little bored with my overall mission of sharing my thoughts about race and representation in cinema.  I’ve been doing this for almost a year and I think I’m good.

I do still plan to stay enrolled in MoviePass and I will probably still review some films, but because I have so much else going on, I will only write about those films which I find particularly good, moving, or problematic.

***

I got a new job!  I am a full-time teacher.  I don’t blog about work.

***

But I do blog about the wonderful opportunities I have for public speaking!  The brothers of Chi Phi Fraternity at Bucknell University in Lewisburg, Pennsylvania invited me to speak at their annual Biff Hoffman Diversity Lecture!  The organizer and my host was a delightful young man named Patrick who ensured that I was well taken care of the entire time.

My mission was to facilitate conversations and give thoughts about the intersection of LGBT life and Greek life (and inevitably race, because I personally don’t separate being black from being gay).  I visited two classes, one club/collective, and spend significant time at the Chi Phi house speaking with their leadership and their members.

As I told them, if I had sons who attended Bucknell, I would be perfectly comfortable seeing them pledge Chi Phi if that was in their hearts.  I really mean that.  Great guys.

The actual lecture happened on the day Prince died.  Even though it was a somber day for me, I still had to make sure I made the evening meaningful for the listeners.  I told my personal story and did my best to link it to their experiences at Bucknell.

One of the recurring questions was “How do we recruit diverse people if diverse people don’t rush?”  My answer was layered, but for simplicity’s sake, I will say this to anyone reading:  Generally, don’t wait for “rush week” to recruit your guys–recruitment is a year-round endeavor.  And secondly, I don’t think people from marginalized communities want to participate in cattle-calls for various reasons.  I mean, why go to an American Idol audition when you can get discovered singing in a local dive bar?  Chances are about the same, right?

So meet gay folks and people of color where they already are:  the dorm (they gotta live somewhere), the caf (they gotta eat), and class (they gotta get knowledged)!

I know it’s easier said than done, but wouldn’t everyone prefer recruiting organically anyway?

That was just one of my pearls of wisdom.  Hopefully those wonderful folks at Bucknell walked away with something.

***

Of course, Prince died.  I am not sure what, if anything, I have to say about that, especially so soon after David Bowie’s death.  So many tears.  So much sadness.  Maybe one day.

***

I will be at DC Black Pride again this year at the Writer’s Forum.  I haven’t been a panelist in a few years so I am excited to promote my appearance in 47-16, a tribute anthology to David Bowie.

More about that later as well.

***

I thank all of you who think of me, check on me, and pray for me.  I really do appreciate it.  Stay tuned!

Filed Under: Culture, Diary, Reviews

Batman v Superman: Dawn of Justice – There Are Black People In It

March 27, 2016 by Rashid

*Spoilers throughout*

[Read more…] about Batman v Superman: Dawn of Justice – There Are Black People In It

Filed Under: Culture, Diary, Reviews Tagged With: Batman, Cyborg, Superman, Wonder Woman

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