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Rashid

Will I Still Be Apologizing When I’m 50?

August 16, 2016 by Rashid

Note:  I began writing this essay literally a year ago, and for various reasons left it in draft form.  I am now revisiting it in light of Nate Parker’s past coming to light.  New comments will be in italics. [Read more…] about Will I Still Be Apologizing When I’m 50?

Filed Under: Culture, Diary

In This Lifestyle…

August 15, 2016 by Rashid

It has been quite a long time since my last update.  Please forgive me, people.

I became a writing teacher a few months ago and it has been one of the best decisions I could have made for myself as a novelist.  For me, this feels like the ultimate act of service as a writer.  I have been very fortunate to work with some amazing students who have enjoyed our readings and take their development as writers very seriously. [Read more…] about In This Lifestyle…

Filed Under: Diary, Education, Writing

Fraternal masculinity amid LGBT justice

May 13, 2016 by Rashid

I recently read with great interest my fraternity brother George M. Johnson’s editorial entitled Black, Greek, and Gay? It’s Time for Organizations to Fall In Line, posted on Ebony.com on May 12, 2016.  Special thanks to my sistergreek @thereadingdiva for bringing it to my attention.

There are many parts of Brother Johnson’s piece which I agreed with and other parts which troubled me.  It is my intention to gently rebut his editorial while respecting our bond as fraternity brothers.

I became an Alpha in Spring 2003 through an amazing chapter. I had great sponsors and the majority vote of a chapter who believed in me and loved me as I was, even with my long dreadlocks and bohemian aesthetic.  (I had even earned the alias “Eric Benet” because of that look.)  I knew then that I owed it to myself to be authentic.  If the brothers had a problem with it then surely Alpha would not be the chapter or organization for me.

Two years after I made it, in 2005, my first novel Lazarus was released.  That was the true test:  would the publishing of this fictitious story of a gay black college student pledging a fraternity turn the fraternity against me?

Controversy was minimal and Lazarus performed well.  The success of the novel helped me gain access to even more gay members of my own fraternity as well other members of the gay community throughout Greekdom.  Through Lazarus, I had spoken to the issues that Brother Johnson mentioned: the lying, the fear, the anxiety of being a gay member of a fraternity.  It was not my direct experience, but it was always my concern.  Perhaps I was able to avoid a lot of personal heartache in my fraternity for being a gay man because I had already put my protagonist, Adrian Collins, through what I had imagined could be the worst that could happen.  Adrian’s experience was traumatic.  Mine was not.

Surely I had controversy and I had haters.  I speak on those things when colleges and universities invite me to present lectures.  Those negative experiences may have been fiery, but they were few—just enough to let me know that my fraternal experience would never be roses and rainbows one hundred percent of the time.  Through it all, I have tried to stand as an example for those who might come behind me.  I hope I have been seen.

I believe that Brother Johnson paints Greekdom with a wide brush which perhaps may be unfair to those gay brothers and straight allies who have been fighting from within to make positive changes.  Over the years I have seen a shift among straight members of my own fraternity.  Those who at one time may have been bystanders to overt and covert homophobia, both online and within chapter rooms across the country, have now become upstanders.  They are men who will fight for the gay applicant who is perfect for the organization in every way.  They are men who will curtail gossip about the orientation of various candidates for office.  They are men who speak out in favor of all progressive causes—not just the ones which won’t call into question their own orientations.

I am proud of those brothers for those reasons, and because they have fought for me when I was too tired or unwilling to fight for myself.  Besides, it is not up to gay people to solve homophobia.  That is for the straight brothers to fix.  All I can do is be me, right?

Surely there is more work to be done to shift the culture of Black Greekdom, especially as “white” Greekdom is becoming more in tune with LGBT issues.  I was invited to Bucknell University by a chapter of Chi Phi Fraternity–a leader in inclusion on their campus.  I am sought-after for advice from other individuals, chapters, and offices of fraternity/sorority affairs on how they may improve their efforts.  To date, several national, predominately white fraternities and sororities have already adopted gay and trans-inclusive language on their own.

Brother Johnson is right to demand that predominately black fraternities and sororities also fall in line.  Indeed, I am concerned that if we don’t, we may ultimately be disinvited from college campuses which want to ensure that their organizations are safe places for all of their students.

In case it is not abundantly clear, I also firmly believe that transmen are simply men, transwomen are simply women, and they should pursue membership in the fraternities and sororities which match their gender identities, regardless of the gender assigned to them at birth.  I am not in the business of reviewing DNA reports or doing manual checks to ensure that one’s sex matches my own.  That has nothing to do with whether I feel like I get along well with you, serve well with you, and trust my fraternity with you as a leader and as a man.

However, I did have to pause and check my privilege on another matter in Brother Johnson’s essay.  And I checked it but I still disagree.  He says:

Being Black and Greek is not exclusive to the hetero population, and our platforms and values can no longer act as if this is the case.

Yes, I agree.  If my fraternity can take a stand on immigration issues, we should have long since taken a stand on marriage equality—well before it became the law of the land.  But…

While many Black LGBTQ people have gained membership into these illustrious organizations, we have only been accepted so long as our gender and sexuality doesn’t cross the line of what’s deemed acceptable. For Black LGBTQ people both our Blackness and sexuality matters. Like everyone else, we are are the sum of all our parts–not just the pieces that you like or choose to accept.

Welllll….

When it comes to my pursuit of membership, I was accepted for who I was with no hesitation.  I was what my chapter wanted, even though my performance of masculinity leaned toward the artistic rather than the athletic.  I fit.  In the tapestry of diverse masculinities which Alpha embodies under the surface, there was space for me as the starving writer—space which may not have been available had I pursued another fraternity.

I do, however, acknowledge my privilege in this tapestry.  Straight brothers sometimes presume that I am straight unless otherwise challenged.  It seems like no matter what, I am always coming out to *somebody.*  I’ve written four novels with gay main characters, done huge speeches on being gay, worn a rainbow necklace, and still some 50-year brother might ask me when I’m going to get a girlfriend.

I happen to find such naiveté among brothers endearing, but I also recognize that I get a kick out of being “unclockable” to certain eyes.  I have never been “straight-acting” or “gay-acting”—I’ve just been myself, whatever that means in a given moment.  For me, wearing a floppy sunhat would not feel authentic to me—nor would wearing a baseball cap with a football team on it.  And yes, I acknowledge that one of those decisions would be heteronormative and masculine-friendly—so I’m not saying this is about a hat.  This is not about hats at all, but again, authenticity.

I can empathize with a gay man wanting to be in a fraternity, because that’s who I was.  I wanted a brotherhood and a sense of belonging.  I wanted to feel like and feel part of men who thought as I did.  I found that.

I can intellectualize a transman wanting to be in a fraternity because, again, they seek that sense of sameness and oneness.  They want the same sense of brotherhood and belonging that I sought, and that’s why I have no issues with a transman pursuing membership like any other man.

Because there are so few black fraternities, they each seem to fit one of the various archetypes of masculinity:  the nerd/geek; the party animal; the playboy; the boy-next-door; and the outlaw.  (Or any variations on those themes.)  I believe that each of the fraternities purposefully manifests these masculinities in their aesthetic traditions (including stepping and strolling), as well as ritual, protocol, and programming.

Straight or gay, trans or cis, I am hard-pressed to find a member of any major fraternity who doesn’t embody the performance of that masculinity in their lives, especially when in a room full of their brothers.   Being in a fraternity is predicated on the acceptance and buy-in of the performance of masculinity, whether our personal performance of that masculinity is at level one or level ten.

Further, there is no better time or place to see the various masculine archetypes manifest than in the probate show/new member presentation.  Whether hypersexualized and heteronormative or modest and sexuality-neutral, I believe that these shows are still a performance of traits associated with manhood.  There is hard stepping, not soft stepping; a grit, not a smile; and outfits ranging from tuxedoes to army fatigues.

Gay men can be found in each variation of the archetype.  Certainly a transman could be found in each variation as well.

Where, then, is the feminine man if the traditional performance is one of masculinity?  Where is the home for the feminine man if the prevailing fraternities’ reputations are built on performance?

Each person who joins a fraternity agrees to this performance even beyond the new member shows.  This is exemplified in wardrobe requirements in the ritual to dress codes at chapter meetings and conventions.  I don’t believe these norms are a surprise to those pursuing membership.  If a feminine man was not feminine before pledging, then he has agreed to the performance of masculinity through one of the archetypes, from the nerd to the party animal to the outlaw.

We are all in drag, whether in business suits or fatigues and boots.  One who non-conforms may be in accord with the values of an organization generally, but would still have to identify with the aesthetic of the organization in order to truly qualify.

Are fraternities and sororities ideal organizations for gender-nonconforming people?  Probably not.  A strong identification with not only the values and programs is necessary, but the culture, the style, the way that things are done.  The best of Omega or Kappa could surely be the best of Alpha.  What separates us is not talent or achievement, but style, method, and performance.  What works for the Sigmas may not work for the Iotas, but it still works.  What works for those of us who conform to gender may not work for those who are gender fluid, genderqueer, or nonconforming.  I respect that these organizations may not be for them.  They are still my siblings in justice.

My chosen drag when it comes to my organization is a black suit and gold tie.  Just as we get a twinge of pride when we watch YouTube videos of probate shows and see the new members dressed identically and stepping in sync, I get a large sense of pride when I enter a convention and see a thousand brothers who look just like me.  We move alike, we work alike.  Our thoughts may be different, yet we still know that our drag unites us in a certain way; that our sameness represents a unanimity of thought and action.

I don’t find that to be oppressive.  I find that to be inspiring.  I feel loved in the space that is my fraternity, a space where I feel I belong.  It is a space where I feel my fellow gay men and transmen also belong alongside straight and cisgender men.  Gender fluidity may be a bridge too far, yet I remain open to those ideas being challenged also.

***

Rashid Darden is a novelist.  He is also lecturer on LGBT issues as well as topics in fraternity and sorority life.  Contact Rashid here.

Filed Under: Diary, Fraternalism Tagged With: Divine Nine, George Johnson, LGBT, Rashid Darden

Ch-ch-ch-ch-changes

April 29, 2016 by Rashid

Here am I with my friend Zoila who I hadn’t seen in years!

What a roller coaster the past few weeks have been!

For those of you who have been wondering, I have seen a few more films, namely The Boss (there were black people in it) and Eye in the Sky (there were black people in it and it was really good).  Although I enjoyed both films, I really just didn’t feel like writing about either of them.  I’ve also gotten a little bored with my overall mission of sharing my thoughts about race and representation in cinema.  I’ve been doing this for almost a year and I think I’m good.

I do still plan to stay enrolled in MoviePass and I will probably still review some films, but because I have so much else going on, I will only write about those films which I find particularly good, moving, or problematic.

***

I got a new job!  I am a full-time teacher.  I don’t blog about work.

***

But I do blog about the wonderful opportunities I have for public speaking!  The brothers of Chi Phi Fraternity at Bucknell University in Lewisburg, Pennsylvania invited me to speak at their annual Biff Hoffman Diversity Lecture!  The organizer and my host was a delightful young man named Patrick who ensured that I was well taken care of the entire time.

My mission was to facilitate conversations and give thoughts about the intersection of LGBT life and Greek life (and inevitably race, because I personally don’t separate being black from being gay).  I visited two classes, one club/collective, and spend significant time at the Chi Phi house speaking with their leadership and their members.

As I told them, if I had sons who attended Bucknell, I would be perfectly comfortable seeing them pledge Chi Phi if that was in their hearts.  I really mean that.  Great guys.

The actual lecture happened on the day Prince died.  Even though it was a somber day for me, I still had to make sure I made the evening meaningful for the listeners.  I told my personal story and did my best to link it to their experiences at Bucknell.

One of the recurring questions was “How do we recruit diverse people if diverse people don’t rush?”  My answer was layered, but for simplicity’s sake, I will say this to anyone reading:  Generally, don’t wait for “rush week” to recruit your guys–recruitment is a year-round endeavor.  And secondly, I don’t think people from marginalized communities want to participate in cattle-calls for various reasons.  I mean, why go to an American Idol audition when you can get discovered singing in a local dive bar?  Chances are about the same, right?

So meet gay folks and people of color where they already are:  the dorm (they gotta live somewhere), the caf (they gotta eat), and class (they gotta get knowledged)!

I know it’s easier said than done, but wouldn’t everyone prefer recruiting organically anyway?

That was just one of my pearls of wisdom.  Hopefully those wonderful folks at Bucknell walked away with something.

***

Of course, Prince died.  I am not sure what, if anything, I have to say about that, especially so soon after David Bowie’s death.  So many tears.  So much sadness.  Maybe one day.

***

I will be at DC Black Pride again this year at the Writer’s Forum.  I haven’t been a panelist in a few years so I am excited to promote my appearance in 47-16, a tribute anthology to David Bowie.

More about that later as well.

***

I thank all of you who think of me, check on me, and pray for me.  I really do appreciate it.  Stay tuned!

Filed Under: Culture, Diary, Reviews

Batman v Superman: Dawn of Justice – There Are Black People In It

March 27, 2016 by Rashid

*Spoilers throughout*

[Read more…] about Batman v Superman: Dawn of Justice – There Are Black People In It

Filed Under: Culture, Diary, Reviews Tagged With: Batman, Cyborg, Superman, Wonder Woman

Sorry, Soap Fans: Days of Our Lives is Better Than Ever

March 14, 2016 by Rashid

I read with some regularity a soap opera blog.  In fact, the comments on that blog are some of the best comments on the internet.  Not only are they spirited and fun commenters, but they often spill more tea than the bloggers themselves.

But recently, I’ve noticed that many of those commenters absolutely hate what has happened to my beloved Days of Our Lives since (and including) the 50th anniversary.

Now for me, the 50th anniversary of Days of Our Lives was a transcendent experience.  I bought the book.  I went to the book signing where I met members of the cast and crew.  Most importantly, I actually started watching the show again!  Recorded it and everything!  I didn’t know what I was getting into, but Soap Opera Digest had been teasing big stories via Executive Producer Ken Corday.

What I experienced, in addition to the anniversary fever itself, was months of rich storytelling that honored the past history of the show while taking bold moves for its future.  I was glued to the television every say to see what would happen next.  The writing was dope–I mean literally the best writing I think I’d ever seen on Days.  The actors really stepped it up, too.  The pacing was great, as well.  Neither too slow nor too fast.  And for good measure, Days brought back one plot device that has always worked in its favor:  a serial killer.

Now I’m not a big time Hollywood soap writer, but I am pretty sure that they wheel in the serial killers when it’s time for budget cuts.  I don’t know what the directive was at Days, but damn, they spared no family.  It’s almost like Joseline Hernandez came up in the writer’s room in a blind fury saying “WHO ELSE WANT SOME?!”

So to recap the past several months:  They killed off some girl whose name I don’t remember (sorry lady, you were pretty though) Serena Mason, and then they killed off Paige (who is the daughter of Eve Donovan, a legacy character they brought back with a new actress and inexplicable southern accent).  Okay, whatever, later for them.

But then they killed off Will Horton.  Luckily, they didn’t kill off the actor we all know and love as Will Horton, but his recast.  I mean, the character is still dead, but it didn’t have the emotional oomph because it wasn’t the actor who we saw through Will’s coming out story.

chandlermamssey_guywilson_01_540x400
Real Will Horton (left) and fake, serial killer victim Will Horton.

When I tell you I boo-hooed.  I was a wreck.  No more good.

Chad DiMera was framed for the murders (if you don’t know who he is, your break from Days was too long) but it was really this dude named Ben Weston WHO IS HOT BY THE WAY.

robertscottwilson_13_640x400
Heyyyy Ben Weston with yo murderin’ ass

Anyway, blah blah blah, yackity smackity, Bo Brady came back only to die of a brain tumor and really be dead.  Then Hope Brady killed Stefano DiMera in retaliation and he is really dead.  Then Eric Brady went drunk driving on New Year’s night and killed Dr. Daniel Jonas and he is really dead.

Then Ciara got raped!  Then the Salem teens literally rounded up the rapist–lynch mob style–and took him to a warehouse so Ciara could get her revenge!

days-capture
I really thought they were gonna murder him!

Most recently, and most satisfyingly (aside from the for-real death of Stefano DiMera), they finally gave my boy John Black a complete story.  It turns out his real father is the leader of an international spy/assassin ring called the Phantom Alliance.  This shit is like the Deadly Vipers from Kill Bill had a baby with Cobra-La from G.I. Joe  and it was Jigsaw from Saw!  No, really guys.  John Black’s father is Jigsaw, actor Tobin Bell!

tobinbell
This was banoodles

Honorable mentions:  Theo Huxtable Carver, as portrayed by Kyler Pettis, is excellent as the autistic son of Abe Carver and would-be boyfriend of Ciara Brady.  His half-sister, Detective Lani Price joined the cast during the 50th anniversary celebrations as well and it’s so nice seeing Abe’s family grow again.  I am glad that Rafe Hernandez and the rest of his family have more to do and are finally starting to feel like an independent crew, not just love interests for the other characters (although they are still that).  And generally speaking, shout out to keeping the elder/senior actors working in significant ways.  I adore seeing Victor, Caroline, Maggie, Doug, and Julie drive story.

But let me focus for just a moment about the feel of the show.  Many long time fans felt that the show was entirely too depressing for the 50th, and I totally understand where they are coming from.  You didn’t really expect a core character to come back only to die, and Bo Brady was certainly a favorite.

But the writer in me wants you all to know that Ken Corday was right when he told the media “The show is going to be the best it’s ever been and I defy anyone to prove me wrong.”

Rather than keeping us in a holding pattern about Peter Reckell’s status, they let him retire.  The fans have never taken well to Bo recasts, so let him go.  And let his departure drive story for years to come.

Same with retiring Joe Mascolo as Stefano.  We all love Stefano, but for how much longer could we really believe that this one man cause this much havoc at this age, especially when almost all his children are dead, too?  Days artfully, respectfully, and realistically sent Stefano out.  Artful in the irony of it all–getting killed when he didn’t even do what they thought he did.  Respectfully in that his enemies came together to recall their shared trauma–and his son Chad truly being the only person to grieve (well, not counting the crazed Andre).  And realistically in that his body was indeed recovered with no real room for error.

Stefano’s death, however, did create an artistic void.  Who would be the next “Big Bad?”  There is only one DiMera heir in the running and he’s not interested in the mantle.   And Andre is too crazed.  Also, the DiMeras are broke because Sami stole all their money. (sidenote:  HAHAHAHAHHA)

So enter John Black’s father, as stated above.  Watching that episode today had me laid out on the ground like I do after watching an exceptionally good episode of Scandal.  It was dark.  It was scary.  It was mysterious.  Learning about this new entity, the Phantom Alliance, after years and years of growing used to Stefano, the ISA, and the Kiriakis dynasty, made me feel like I stumbled onto that good shit!

Yes, it’s campy, but only a tad!  It’s adventure!  It’s intrigue!  It makes me feel like how I felt back in the 80s when I first began watching!  I like seeing my old favorites in new adventures, and seeing the teenagers mirror their parents’ best and worst qualities.

Thank you Ken Corday, the writers, and the cast.  I know this industry is not easy, but you do it so gracefully.  I appreciate that you breathed life back into “my stories” and have made it the most unique show on daytime right now.  Kudos, snaps, and keep up the good work.

Filed Under: Culture, Diary, Television Tagged With: Days of Our Lives, Ken Corday, Stefano DiMera

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